Bending The Light

Mystic-Light
Light shines through the trees at Spirit Sands National Park Canon 5D II 200mm, F5.6

Summer is a great time for working with dynamic light sources. The best in fact. This is the time I like to get out and just pick a subject and watch how it reacts as the sun moves around it in the final hour of light. It will change more during this time than any other. And after the cold grey days of Winter and Spring, I can’t wait to see this stuff again.

One thing I like to do a lot for more often, as with this shot, is use a telephoto lens to separate your subject even more. It really helps stand out the parts of the image you need to shine. It also allows you to blur out the background more if you don’t have a lens that can open up wide enough. Or you just want to look cooler when your out shooting ;P

Punch Through

Eye-of-The-Storm
Light punches through a storm cloud after a rain Canon 5D II 200mm, F11

One thing I try and do more and more with landscapes, is take them with a telephoto lens instead of a wide angle. This may come naturally to some. But for me it took awhile to get used to. Wide angle lenses have always been my go to. I like the size and scale, with the disappearing horizons. But with a telephoto you get this cool effect known as lens compression. This is often referred to as tunnel vision. This is where the foreground and the background appear to get closer together. Quite the opposite of wide angles which push these two elements further away. The result can be epic. Like a mountain range appearing to be towering over a valley, when it could be miles away. Or in this case, a storm cloud sitting onto of the lake!

One neat thing to try is to also widen your aperture, as to single out a closer subject, while leaving your background slightly out of focus, and therefore appear further still. But yet close enough that it looks like you can still touch it.