One thing I try and do more and more with landscapes, is take them with a telephoto lens instead of a wide angle. This may come naturally to some. But for me it took awhile to get used to. Wide angle lenses have always been my go to. I like the size and scale, with the disappearing horizons. But with a telephoto you get this cool effect known as lens compression. This is often referred to as tunnel vision. This is where the foreground and the background appear to get closer together. Quite the opposite of wide angles which push these two elements further away. The result can be epic. Like a mountain range appearing to be towering over a valley, when it could be miles away. Or in this case, a storm cloud sitting onto of the lake!
One neat thing to try is to also widen your aperture, as to single out a closer subject, while leaving your background slightly out of focus, and therefore appear further still. But yet close enough that it looks like you can still touch it.
Photoshop definitely has it’s place in the photography world. Actually I don’t think any photographer would be where they are without it. Even in the purist days. Playing with colour, changing shades, anything done while developing film is still photoshop! No matter how you look at it, the definition is still the same. Though the rules have changed, the game stays the same. Relatively.
One thing that never seems to changed, which can be some of the most surprising things in a photograph, are anomalies. These can be anything from lens flare, to colour fringing, to what some people fondly refer to as ghosts!
This shot is a fun one for me. It really showcases something I was not trying to do at all. But came out really cool looking. I guess this falls into the flare category? It sure looks like one, and is caused by the suns direct light. But it really looks like aliens are coming to get us all 🙂 If I was a religious person I would certainly be looking a little deeper than that.