One of the toughest things I find when going out to take photos, is weather. it can really mess with your plans something fierce! You plan and plan to be somewhere at a given time, only to find that mother nature has her own plans for you. What do you do? Go home? Well yeah sometimes… But most of the time no 😡 So you try and make the most of it only to get home and realize all your shots are grey and lifeless. This is a problem. Fortunately through the miracle of photoshop you can pull some life back out of that limp sky. And draw something new out of your photo that wouldn’t be possible during a sunny afternoon.
I like to accomplish this using just the curves adjustment tool in Ps or Lr. I can really do wonders with the contrast between the clouds that is not visible to the naked eye. It also helps as I always say, to bracket your shots. This way you can have an underexposed shot for the sky, and another one for this like the foreground, and other elements of interest.
I have had many photographs over the years that I really like. Some a lot more than others. Some of them I look at and don’t understand why I can’t be in the mind frame to take shots like that all the time. My favourites are probably not the most conventional, or properly composed ones I have ever taken, but they strike a cord with me.
In the Olympic forests of Washington there are plenty of quiet places to get away and take your time composing. I think this is what makes those shots some of my favs. It’s more about the place, and how it makes you feel that produces great photos. Even if nobody likes them, or you never sell a print. Or like me, you don’t even hang them on your walls. They mean something, and over time you look at them, and are transported back to where you feel good. And isn’t that the whole point in the first place?
For this one I wanted to focus on the massive structure of these great trees. They are so old, covered in fantastic moss, even the wood is so saturated with water that it is soft. And they just goes on forever.
I treated this like I do with most of my landscape shots. It’s an HDR, with a couple of soft tricks you can do in Ps, or Lr. It is a cool little trick known as the Orton Effect. This is where you use a Gaussian blur, and push it really far, so that the image is so blurry it looks like it’s underwater. Then start pulling back the opacity till it’s around 15% or so. And you will start to see the image as it was, with this amazing glow about it. As if it were shrouded in fog or mist. Really amazing for forest shots like this.